randian | 燃点

Chen Wei Cheng Ran Cui Jie Guo Hongwei He An Liu Chuang Li Qing Li Shurui Michael Lin Gabriel Lester Wang Yuyang Apichatpong Weerasethakul Zhang Jungang & Li Jie Hu Xiangqian Fred Tomaselli Wolfgang Tillmans Danh Vo Apichatpong Weerasethakul Liu Wei Liang Yuanwei Sun Xun >> Read more

Hong Kong—Pearl Lam Galleries is proud to present two solo exhibitions of works by Kour Pour (b.1987, England) and Su Dongping (b.1958, China) in Hong Kong. Kour Pour is known for his elaborate carpet paintings that depict familiar symbols of different cultures and universal concepts of beauty. Inspired by an early education in textiles from […] >> Read more

We are not only living in an era that witnesses mass mobilization caused by globalization. From the migration of population driven by production >> Read more

Two years later, ART021 had outgrown its home on the Bund and moved...to the Shanghai Exhibition Centre (ha!)...Chris Moore reviews ART021 2016. >> Read more

Third edition of PHOTOFAIRS | Shanghai runs September 9 - 11 at Shanghai Exhibition Center >> Read more

Preparations for the European Biennial of Contemporary Art enter their Final Phase... >> Read more

While the minimum and average quality of art displayed was noticeably higher than last year (better galleries, minimal kitsch) the art displayed was generally conservative—innovation was seldom seen... >> Read more

The classic quote by Karl Marx goes: “Hegel remarks somewhere that all great world-historic facts and personages appear, so to speak, twice. He forgot to add: the first time as tragedy, the second time as farce.” Such satire is not only appropriate in reference to Napoleon and his nephew, Napoleon III... >> Read more

There was one clear choice. Liu Wei's complex conceptual jungle "Trilogy" at the Minsheng Art Museum, blended painting, sculpture and electronics, the museal space itself to meditate on modernism, China, Beijing, the road to his studio and his own practice. >> Read more

The Westerners are skilled in geometry, and consequently there is no the slightest mistake in their way of rendering light and shade [yang-yin] and distance (near and far). When they paint houses on a wall people are tempted to walk into them . . . Students of painting may well take over one or two points from them to make their own paintings more attractive to the eye. >> Read more